This always happens to me. I start a story. I have the ending plotted, I know my characters and world. The middle usually ends up a haze for me till I've written the beginning and then started to plot my way backwards. But somewhere in the middle something happens that stops me dead. With Spandex it was finding out that Maisie would work better as Matt. I discovered that plot twist somewhere in the second third of the first draft. In that case I ignored the first part of the novel and wrote the last of it as if Maisie was male. Then I edited, and edited, and edited.
Wren's song stopped me early and although it's demanding a new beginning, the change isn't nearly as drastic. I've dumped some scenes, put a few in a file to see if they fit in later, and rewritten the first 2k to line up mostly with my middle. I've got about 8K of words to edit tomorrow and then most of it should be able to fit in. I'm hoping to unoffically Nanowrimo this story, which should put me at about 60k coming into the Dec. That should put me at about 3/4ths of the way through the text. That is a happy point to be. Since I'm not ditching everything I have to start fresh on Nov 1 I am not joining any of the official things but I'm hoping it will be fun and press my word counts to a new height.
Showing posts with label How I write. Show all posts
Showing posts with label How I write. Show all posts
Thursday, October 29, 2009
Friday, September 11, 2009
Always something new...
Every time I approach a new novel I learn a new way to get the plot going. Rough drafting Wren's Song has put another few tricks in my basket. The first is the power of the blank page. I like blank pages. It feels like there is no pressure from the existing story. When I am terribly stuck I open a new window and write the scene there. It's simple, psychosomatic; it works.
Today's other stupid writer trick is a plot file. As I am writing out the story and jumping merrily from scene to scene as the muse takes me I keep tabbing back to my plot file. Every time I get stuck I start free writing out what needs to happen next to get the plot moving forward. It's turning into a clumsy synopsis/outline. Which helps when I need inspiration about what Wren did on page 8 and how I can mirror it on page 50.
Rough drafting means anything goes to get the words on the page.
Today's other stupid writer trick is a plot file. As I am writing out the story and jumping merrily from scene to scene as the muse takes me I keep tabbing back to my plot file. Every time I get stuck I start free writing out what needs to happen next to get the plot moving forward. It's turning into a clumsy synopsis/outline. Which helps when I need inspiration about what Wren did on page 8 and how I can mirror it on page 50.
Rough drafting means anything goes to get the words on the page.
Wednesday, September 9, 2009
Routine
It's taken a day to get back into my routine. Today I've spent the whole day writing and poking at the manuscript. I'm hovering just under 10,000 words. I have the beginning and a goodly portion of ending written. A lot of the plotting on this is working backwards from the end. I've walked to our local library and picked up books on writing novels. I'm outlining what needs to happen and when. Characters are having emotional issues and in general things are moving apace.
Tomorrow I hope to try to put up some of the blog posts I wrote while at Dragon*con. A little more show and less tell. Today I just need to write and do some laundry.
Tomorrow I hope to try to put up some of the blog posts I wrote while at Dragon*con. A little more show and less tell. Today I just need to write and do some laundry.
Sunday, August 30, 2009
World building
For Matt's story I didn't have to do much world building. I created the fictional city of Livingston, added in some pertinent buildings and places and organizations. Wren's song is an entirely different world. I know places and people but today things reached a point where I needed to know about magic. Patricia Wrede has a wonderful set of world building articles on the SFWA site. Here is the specific one I am using at the moment.
http://www.sfwa.org/2009/08/fantasy-worldbuilding-questions-magic-and-magicians/
http://www.sfwa.org/2009/08/fantasy-worldbuilding-questions-magic-and-magicians/
Saturday, August 29, 2009
On the tenth day she rested...
Yesterday I didn't write. My husband and I are heading to a sci fi con soon and we had a list of things that needed to be finished before hand. So yesterday I shopped. Today I woke up late, poked about on the net then sat down and wrote 700 words in a sitting and edited a short story. Resting can be good.
I'm stopping now to do some world building. I don't start off with a developed world. Conflict and character come first, and I build the setting around who my characters need to be and what they need to do. Wren's Song is a fantasy novel. I created the countries after the first scene to set up the political conflict but there are huge gaps in the world right now. So today is dedicated on how to fill them.
I'm stopping now to do some world building. I don't start off with a developed world. Conflict and character come first, and I build the setting around who my characters need to be and what they need to do. Wren's Song is a fantasy novel. I created the countries after the first scene to set up the political conflict but there are huge gaps in the world right now. So today is dedicated on how to fill them.
Thursday, August 27, 2009
Ten ways I make myself write
For years (30 of them) I started projects and never finished them. I have a horrible case of project ADD. The very first part of writing a story is easy for me. I have an image or a character in my head and with it comes their tale, like someone is whispering it in my ear. After a few hundred words, it gets harder. It's work. So here are some of the ways I have found to push through.
1. Take a break: if I have been writing pages and pages and suddenly I don't know where the story needs to go, getting away from it helps my subconscious to start putting pieces together. I read a book, a blog, or just get out of the house. This only works when I’ve already put in the work though. Taking a break after ten words is a cop out, which brings me to…
2. Summarize: Sometime the scene isn't working yet. I have been known in first drafts to write, "they fight add it later" and move on. On the other hand imagine the scene is already written. You will be surprised what details you find that already know about that scene. Writing the scene right after your troublesome one can add more insights. It might not end up in the final draft but it can show you the right path.
3. Calculate: As soon as I know what type of book I am writing I have an idea of the length it needs to be. Young adult is about 50-80K though there are exceptions. Most novels are around 80-100K of words with fantasy going as high as 150K sometimes. I pick the smaller number of the range and use that as my goal. Then I figure out chapter length, 2-5K for me, and figure out how many chapters I need, I rounding up. I have a spreadsheet with words, pages and chapters to go to meet my goal and a count for how many more words to go in a chapter. I like the organization and tangible measure of progress. Why yes I have an inner type A.
4. Outline: Once I have that first rush of story that tells me who and what I am writing about I try and figure out what needs to happen to get my characters to the ending. If I get stuck in the outline I write a ending and work backwards to figure out how to get there. I write about 10-400 words per chapter. Sometimes I write out major bits of dialog and description, other times I write, “Tie up the fight, be clever, no pressure.”
5. Don't go backwards: As you are writing the story you will get ideas for the parts you have already written. It's great but if you break off writing and scroll back to chapter 3 and find the scene that all of a sudden needs to have ice-cream in it to emphasize the deep spiritual meaning of waffle cones in chapter ten then getting back to where you started is much much harder. I've heard of writers that keep a notebook next to their computer and jot notes down as they come up. I type red text into Word right in the middle of what I was doing. I fix it during the revision phase. I don't look up names or facts either unless it's vital. If I don't remember what I named Matt's little brother then I type "xxlittlebrother" and keep going. The xx makes it easier to search with Find and Replace later. I also change my text to be minuscule on the chapters I am not working with so I can't get sucked into the story or into doing fussy edits yet.
6. Type something: If I absolutely can not figure out what comes next then I start free typing. Delete is always an option but usually something will come out a few words after typing "I don't know what to write" or “What do I need to happen next?” I find the physical part of typing to be relaxing, I’ve never been what you would call normal.
7. Work on something else: I have so many projects started, writing on something fun and with out the pressure of being the "first draft of X project I am going to submit professionally" helps me get words. And perhaps that space alien story I was writing on a lark will end up good.
8. Be bad: I constantly give myself blanket permission to be bad when I first draft. I overuse words, use trite metaphors and ignore the spelling check. That is what the second draft is for (and the third and fourth and…) On the first draft I need to get the ideas down, meet my characters and write an interesting story. I think of it as the pencil sketch for a painting. Once it’s down I can erase like crazy, fill in where needed and edit, edit, edit.
9. Research: Sometime knowing the whys about your environment can give you new ideas on how your character would act. Just don't research more then you write. It's easy to fall into the trap of researching every single detail. Research is great, the story is more important.
10. Read it out loud: If it's not working I go back to the last place that the writing did work and read out loud till it doesn’t. I can usually hear where the narrative is off and how to fix it.
1. Take a break: if I have been writing pages and pages and suddenly I don't know where the story needs to go, getting away from it helps my subconscious to start putting pieces together. I read a book, a blog, or just get out of the house. This only works when I’ve already put in the work though. Taking a break after ten words is a cop out, which brings me to…
2. Summarize: Sometime the scene isn't working yet. I have been known in first drafts to write, "they fight add it later" and move on. On the other hand imagine the scene is already written. You will be surprised what details you find that already know about that scene. Writing the scene right after your troublesome one can add more insights. It might not end up in the final draft but it can show you the right path.
3. Calculate: As soon as I know what type of book I am writing I have an idea of the length it needs to be. Young adult is about 50-80K though there are exceptions. Most novels are around 80-100K of words with fantasy going as high as 150K sometimes. I pick the smaller number of the range and use that as my goal. Then I figure out chapter length, 2-5K for me, and figure out how many chapters I need, I rounding up. I have a spreadsheet with words, pages and chapters to go to meet my goal and a count for how many more words to go in a chapter. I like the organization and tangible measure of progress. Why yes I have an inner type A.
4. Outline: Once I have that first rush of story that tells me who and what I am writing about I try and figure out what needs to happen to get my characters to the ending. If I get stuck in the outline I write a ending and work backwards to figure out how to get there. I write about 10-400 words per chapter. Sometimes I write out major bits of dialog and description, other times I write, “Tie up the fight, be clever, no pressure.”
5. Don't go backwards: As you are writing the story you will get ideas for the parts you have already written. It's great but if you break off writing and scroll back to chapter 3 and find the scene that all of a sudden needs to have ice-cream in it to emphasize the deep spiritual meaning of waffle cones in chapter ten then getting back to where you started is much much harder. I've heard of writers that keep a notebook next to their computer and jot notes down as they come up. I type red text into Word right in the middle of what I was doing. I fix it during the revision phase. I don't look up names or facts either unless it's vital. If I don't remember what I named Matt's little brother then I type "xxlittlebrother" and keep going. The xx makes it easier to search with Find and Replace later. I also change my text to be minuscule on the chapters I am not working with so I can't get sucked into the story or into doing fussy edits yet.
6. Type something: If I absolutely can not figure out what comes next then I start free typing. Delete is always an option but usually something will come out a few words after typing "I don't know what to write" or “What do I need to happen next?” I find the physical part of typing to be relaxing, I’ve never been what you would call normal.
7. Work on something else: I have so many projects started, writing on something fun and with out the pressure of being the "first draft of X project I am going to submit professionally" helps me get words. And perhaps that space alien story I was writing on a lark will end up good.
8. Be bad: I constantly give myself blanket permission to be bad when I first draft. I overuse words, use trite metaphors and ignore the spelling check. That is what the second draft is for (and the third and fourth and…) On the first draft I need to get the ideas down, meet my characters and write an interesting story. I think of it as the pencil sketch for a painting. Once it’s down I can erase like crazy, fill in where needed and edit, edit, edit.
9. Research: Sometime knowing the whys about your environment can give you new ideas on how your character would act. Just don't research more then you write. It's easy to fall into the trap of researching every single detail. Research is great, the story is more important.
10. Read it out loud: If it's not working I go back to the last place that the writing did work and read out loud till it doesn’t. I can usually hear where the narrative is off and how to fix it.
Tuesday, August 25, 2009
Ending a book
One of my writing friends came to me recently and confessed they didn't know how they were going to end their book. I generally have the opposite problem, I know how I want it to end but not how to get the story there.
I usually start with an idea. Mary Sue Smith gets sucked into Neverland and meets Peter Pan the third. Usually that idea suggest certain scenes, Mary Sue actually getting sucked into a trans dimensional literary portal, meeting Pan at the point of the sword, Captain Hook as a conflict, lost boy acceptance, defeating Hook, Mary deciding how to live happily ever after. I'm a sap. I like happy endings, or at least bittersweet ones.
Those scenes (which are the most fun to write) get me started in the rough draft. The trouble comes in connecting the two. I try to write chronologically. If I get stuck I will skip over scenes with a minimum of narration, putting something like write a cool fight scene here or Mary needs to learn to waltz here. I write the next scene. Then I can back track. Mary needs a sword to fight the pirates therefore I need to get one to her in the scene I skipped. Mary needs to face inner demons personified in Hook, therefore in the earlier scenes we need to give her inner demons.
Each action should have an after effect and a series of events that led up to it. Although it may offend the artistic senses, writing a novel requires a great deal of logic. If the story doesn't make sense then all the flowery prose in the world will not save it.
I usually start with an idea. Mary Sue Smith gets sucked into Neverland and meets Peter Pan the third. Usually that idea suggest certain scenes, Mary Sue actually getting sucked into a trans dimensional literary portal, meeting Pan at the point of the sword, Captain Hook as a conflict, lost boy acceptance, defeating Hook, Mary deciding how to live happily ever after. I'm a sap. I like happy endings, or at least bittersweet ones.
Those scenes (which are the most fun to write) get me started in the rough draft. The trouble comes in connecting the two. I try to write chronologically. If I get stuck I will skip over scenes with a minimum of narration, putting something like write a cool fight scene here or Mary needs to learn to waltz here. I write the next scene. Then I can back track. Mary needs a sword to fight the pirates therefore I need to get one to her in the scene I skipped. Mary needs to face inner demons personified in Hook, therefore in the earlier scenes we need to give her inner demons.
Each action should have an after effect and a series of events that led up to it. Although it may offend the artistic senses, writing a novel requires a great deal of logic. If the story doesn't make sense then all the flowery prose in the world will not save it.
Tuesday, August 18, 2009
Politics...
only the good kind. I'm not talking Iran, health care or any other jazz. Nope, we are talking 100% made up politics in a 100% made up world. I've been having a fascinating time figuring out what conditions would have to exist to make the countries have the traits the stories need them to have. Queen Victoria, Jacobite revolutions, assassination plots and various Coup D'etat, and this is just the back story.
I am a thousand words into one of the big scenes right now. I've got a couple thousand in outlines, backstory and introduction. As always when I am writing in I remind myself to just get it down on paper. It's far easier to build a story from something then to start from scratch. And no one ever needs to see my first drafts if I don't want them to. That is a comforting thought.
Editing on Matt's story is nearly complete for pass two. I'm juggling the rewrites with Wren's song and I have 3-4 beta readers lined up once it's done. Forward momentum.
I am a thousand words into one of the big scenes right now. I've got a couple thousand in outlines, backstory and introduction. As always when I am writing in I remind myself to just get it down on paper. It's far easier to build a story from something then to start from scratch. And no one ever needs to see my first drafts if I don't want them to. That is a comforting thought.
Editing on Matt's story is nearly complete for pass two. I'm juggling the rewrites with Wren's song and I have 3-4 beta readers lined up once it's done. Forward momentum.
Monday, August 10, 2009
More revisions
I've been getting help editing today. I think I might be more productive with out Blair trying to eat the pen or cover up the pages but we are into Chapter 15. Post it notes are my friends. Reading through this all at once I'm finding where the characters get redundant. I have 3 supporting characters in a place where 2 would work. I think that will be the next revision. I'm layering hints and expanding the back story of my villain. I'm cutting out unnecessary words.
Tomorrow's goal is to finish the last 14 pages of edits and start plugging them into the computer. Then we write more, add new scenes, flesh it out, build it up, print it out and repeat. I am hoping draft 3 will be able to go out and be read by others for feedback. Small forward progress though.
Thursday, August 6, 2009
Revising
I'm about half way through the second pass. I printed everything out and I'm proceeding to red ink bleed all over the manuscript and tag it with post its. I love office supplies. I sat on the urge to buy new red ink pens for this revision. I did end up with plastic tabs to mark out the chapter divides. Warms the cockles of my ever organizing heart.
The biggest weapon in my editing arsenal is my voice. I wait till the house is to myself and I read parts of the manuscript out loud. The places where I added to many adjectives or skipped a word jump out more. The dull spots scream for attention.
I'm layering themes in right now. When I first started writing I had this belief that once I wrote the story, that part would not change. Sure, the words would change. I could always find a clever new way to say something, but the story had to come out whole. That's crap and that one discovery has fixed so many things in my writing.
I have cut out two whole sub plots from the first incarnation (bogged down the story). I've changed the character's gender, made a minor character into a major one, and changed the villain from the initial concept. This pass through I'm making sure that the changes I made stay consistent. For me looking at each draft as building a layer of the story, like an animator creating levels of cells to film, helps to keep me moving on the story. Otherwise I wander off into the labyrinth of "it's not perfect" and get lost. It's not perfect yet, but it will be.
Friday, June 12, 2009
The last first draft post....
Project: Superhero YA novel
Starting Word Count: 34027
New Words: 802
Present Total Word Count: 34829
Goal: 50000ish
Observations: Draft 1 is done. I know there is more to add but until I finish editing all the plots that I added and took out I'm having a hard time knitting everything together. The Final word count (including some outlining) ended up at 34,829.
Resolutions: Start revising…. I keep saying I’m going to put it in a drawer and wait a week or so but honestly it’s been long enough since I looked at the beginning bits that I’m ready to go… and have gone.
Things Accomplished in Real Life: Did some shopping, spent much quality time with the husband and even weeded a bit.
Reason for Stopping: Draft 1 is done… and I’m working on draft 2 which is at 35013 words right now. Since I’m writing into the story and hacking out whole sections (including outline, synopsis, and plot notes) as I go this is actually fair progress.
Starting Word Count: 34027
New Words: 802
Present Total Word Count: 34829
Goal: 50000ish
Observations: Draft 1 is done. I know there is more to add but until I finish editing all the plots that I added and took out I'm having a hard time knitting everything together. The Final word count (including some outlining) ended up at 34,829.
Resolutions: Start revising…. I keep saying I’m going to put it in a drawer and wait a week or so but honestly it’s been long enough since I looked at the beginning bits that I’m ready to go… and have gone.
Things Accomplished in Real Life: Did some shopping, spent much quality time with the husband and even weeded a bit.
Reason for Stopping: Draft 1 is done… and I’m working on draft 2 which is at 35013 words right now. Since I’m writing into the story and hacking out whole sections (including outline, synopsis, and plot notes) as I go this is actually fair progress.
Thursday, April 23, 2009
Current progress
Project: Superhero YA novel
Starting Word Count: 31366
New Words: 1682
Present Total Word Count: 33048
Goal: 50000ish
Observations: I went with writing Maisie as male in this chapter and the character is coming out more. I've talked before about writing badly but plowing through to get the plot down on paper. Yeah this stuff is bad. But I can see how to fix it and the rewrite is going to be better... I hope.
Resolutions: Tomorrow I do want to get to chapter 20. This is the vital chapter. Everything is revealed here.... I have most of an outline on that. I think it will end up with some holes ala [insert clever line here] but if I can make everything tie together reasonably logically I will be happy. Even if the writing sucks. I can prosery after I'm done holding the live wires and trying to macrame with them thank you very much.
Things Accomplished in Real Life: I planted blackberry bushes, tore out bushes and gardened for 3 hours straight. I ache.
Reason for Stopping: Finished chapter 19.
Saturday, March 14, 2009
Irony
Writing is happening, among other things including coming up with a marketing plan for a small business.
One thing that never fails to amaze me is the turns that a story can take. Massie's tale has taken a strange turn that seems to involve my main character being rewritten as male. So rewrites are happening, scenes are being corrected and progress is decidedly sideways.
One thing that never fails to amaze me is the turns that a story can take. Massie's tale has taken a strange turn that seems to involve my main character being rewritten as male. So rewrites are happening, scenes are being corrected and progress is decidedly sideways.
Thursday, January 15, 2009
Hiatus
I really had not planned on taking a hiatus from this blog. Unfortunatly life rather took over. Writing has been happening. The word count tickers to the side show forward progress if not enough for my satisfaction. More words will come later but for now I leave this thought. Finding the "right" words means not being afraid to try the wrong ones.
Tuesday, August 12, 2008
Settling in
I moved into the house completely and I am trying to vary unpacking boxes with writing. There is some success thus far.
Today's odd writing tip is flashbacks. Flashbacks can be one of the most overused bits in writing. They can work, but they can also be a crutch. And I know why. They are easy to write. You aren't immediately in the scene and your hero of choice is retelling the choice bit of action. You know they made it out alive and the is more objectivity for the writer. They take you out of the "what happens next" head space and let you plot backwards.
For example our hero Mary has blown up a spaceship and by her reflecting back we can reason out how she did it and why with a lower pressure. It's already happened. Connecting the dots in reverse. When I get stuck with a piece of action that I can't figure out how to resolve I skip ahead and write a flashback. All of these flashbacks have ended up on the cutting room floor. Once I knew where the scene needed to go I wrote the ending and deleted the flashback.
Right now I am in middle of chapter 12 of a planned 23. Things are turning out a bit different then I planned and the outline is being modified on the fly to keep it on the track to the ending. Nothing major but things have come out in the writing that give a new spin to the ending. One of my favorite parts in writing is figuring out just how the story will end up going together.
If anyone is interested in the word counter I use it is located at Zokutou. Now back to boxes, wedding invitations, and word counts. The goal for today is to finish chapter 12.
Today's odd writing tip is flashbacks. Flashbacks can be one of the most overused bits in writing. They can work, but they can also be a crutch. And I know why. They are easy to write. You aren't immediately in the scene and your hero of choice is retelling the choice bit of action. You know they made it out alive and the is more objectivity for the writer. They take you out of the "what happens next" head space and let you plot backwards.
For example our hero Mary has blown up a spaceship and by her reflecting back we can reason out how she did it and why with a lower pressure. It's already happened. Connecting the dots in reverse. When I get stuck with a piece of action that I can't figure out how to resolve I skip ahead and write a flashback. All of these flashbacks have ended up on the cutting room floor. Once I knew where the scene needed to go I wrote the ending and deleted the flashback.
Right now I am in middle of chapter 12 of a planned 23. Things are turning out a bit different then I planned and the outline is being modified on the fly to keep it on the track to the ending. Nothing major but things have come out in the writing that give a new spin to the ending. One of my favorite parts in writing is figuring out just how the story will end up going together.
If anyone is interested in the word counter I use it is located at Zokutou. Now back to boxes, wedding invitations, and word counts. The goal for today is to finish chapter 12.
Wednesday, July 23, 2008
Confessions from the writer
I write badly. I started writing stories when I was seven or eight and my early efforts were pretty awful, but that isn't what I mean. Today, right now, I write prose that alternates between simplistic drivel and florid prose, sometimes in the same sentence. Why do I create such abominations of the word? Well it's so I get something done.
I forget which writer this habit was attributed to, but the story goes he would type maybe a sentence a day and that would be a good days work. Now I have been known for some massive run ons in my day but that fault aside, say a sentence is usually 2- 20 words. Novels tend to be 50,000-150,000 words. That's like 13 years to write a novel. It's an extreme example, but when I started writing I had this image of the tortured writer agonizing over every word. Only the right word could hit the paper. I tried that technique, and I found that writing a story for me is like rolling a barrel. I need to build up momentum to keep it going otherwise the story and characters slip away and I start losing everything.
My solution is drafting. I think that it is fair to say very few rough drafts are publishing ready. In fact I would be surprised if any were. This is why we edit and rewrite, sometimes starting the whole thing again from scratch. It is a recent solution for me. I spent years, nearly ten of them in fact, trying to make everything come out perfectly start to finish. I wanted to read the novel I was writing as it happened, but I spent so much time editing what I had already written my forward progress was minimal.
Now I am a member of the terrible first draft club, may those drafts never see the light of day. I write faster (although I am still a slow writer in the grand scheme of things) and keep notes of what needs to be changed as I go. I skip things, write out of order, and decide in chapter 13 that Suzy has had a cat this whole time so I really should fix that once it's written. The end result is a mass of story that has a beginning and end and covers the main plot points. The characters are there but still rough in how they are coming out on the paper. To metaphor it is like making a sculpture. The first draft I make the frame for my story, dig up the clay, and pound the heck out of it. The rest of the drafts will make sure the frame is covered and making a pretty piece of art.
I forget which writer this habit was attributed to, but the story goes he would type maybe a sentence a day and that would be a good days work. Now I have been known for some massive run ons in my day but that fault aside, say a sentence is usually 2- 20 words. Novels tend to be 50,000-150,000 words. That's like 13 years to write a novel. It's an extreme example, but when I started writing I had this image of the tortured writer agonizing over every word. Only the right word could hit the paper. I tried that technique, and I found that writing a story for me is like rolling a barrel. I need to build up momentum to keep it going otherwise the story and characters slip away and I start losing everything.
My solution is drafting. I think that it is fair to say very few rough drafts are publishing ready. In fact I would be surprised if any were. This is why we edit and rewrite, sometimes starting the whole thing again from scratch. It is a recent solution for me. I spent years, nearly ten of them in fact, trying to make everything come out perfectly start to finish. I wanted to read the novel I was writing as it happened, but I spent so much time editing what I had already written my forward progress was minimal.
Now I am a member of the terrible first draft club, may those drafts never see the light of day. I write faster (although I am still a slow writer in the grand scheme of things) and keep notes of what needs to be changed as I go. I skip things, write out of order, and decide in chapter 13 that Suzy has had a cat this whole time so I really should fix that once it's written. The end result is a mass of story that has a beginning and end and covers the main plot points. The characters are there but still rough in how they are coming out on the paper. To metaphor it is like making a sculpture. The first draft I make the frame for my story, dig up the clay, and pound the heck out of it. The rest of the drafts will make sure the frame is covered and making a pretty piece of art.
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